Posted April 4th, 2012 by debritz
My father, like his father, was a house painter. He wanted to be a teacher, but times were tough and he had to leave school at a young age to help support his family.
Still, he was a very wise man. He read widely in areas that interested him and he held strong opinions.
I remember him saying, about his own trade, that anyone could paint a house to suit himself, but not everyone could paint a house to the satisfaction of the people paying for it.
I'm a journalist, and I feel the same way about my own profession. Plenty of people can write but not everybody has the full set of skills a professional needs.
I think this approach to the craft is especially relevant at a time when the news media is desperately trying to reinvent itself in the digital age. In doing so, we must not forget our core skills.
When I tweet or blog about errors in spelling or syntax in media reports, I'm sometimes accused of being pedantic -- as if accuracy was no longer a prerequisite for the practice of journalism.
Recently, I've been having a minor rant on Twitter about journalists who misuse the word "allegedly". In news reports you will often hear or read about an "alleged robbery" when the reporter is referring to a robbery, pure and simple. What's alleged in the story is the identity of the person or persons who committed the crime.
If the court reporter and the sub-editor who handles his or her copy doesn't know how to use "allegedly" properly, then they don't know the law, they don't know the language, or they simply don't care. That is unacceptable.
I rail against people who confuse "deny" and "refute" -- words that have distinct meanings -- and those who believe there are degrees of uniqueness. Why? Because getting it wrong dilutes the power of the English language.
Oh, but language changes, I'm constantly told. Yes, but it should change to become more robust, not to become weaker. We should be adding words to the dictionary to make communication easier and more exact, not tweaking the meaning of existing words to the point where they lose potency and create confusion.
I'm by no means perfect. There are many errors on this blog, probably even in this post. But I'm working on my own here.
If professional news organisations can't leverage the huge resources and large staff they have to ensure that they get the basics right, how can they realistically hope to compete against the online aggregators and other cut-price operators?
The thing about being professional is that you do your job properly, you are acknowledged for it, and you get paid for it. Nobody's going to pay top dollar for a slap-dash paint job, and nobody should have to pay for consistently sloppy journalism.
When I point this out to other journalists, they say that budgets are tight and they can no longer afford the checks and balances that used to be put in place. I reckon that's a false economy that could ultimately lead to the demise of the established news media.
In the future, there'll be plenty of digital detritus but not a lot of solid, well-researched, well-written and well-edited journalism. What there is of any quality will be worth paying for, either directly or indirectly (through advertising).
It's my belief that, after a period of playing around with the amateurs, enough people will come back to the fold to make well-run professional news media organisations viable. But that's only if they are worth coming back to.
Posted April 2nd, 2012 by debritz
Scenes from the Molkies, Brisbane's alternative television awards night, held at the XXXX Ale House on Saturday:
Molkies prize details, including video of wonderful acceptance speeches from Wil Anderson and Adam Hills, are here.